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131st AES Convention Session List
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Conference Set
Broadcast and Media Streaming Session Details
 Engineering Briefs
 Game Audio Events
 Historical Events
 Live Sound Seminars
 Master Class Sessions
 Paper Sessions
 Product Design Sessions
 Special Events
 Student and Career Development Events
 Tutorials
 

Conference Set

CON  131st AES Convention Full Conference Online Access 
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Broadcast and Media Streaming Session Details

B1   B1 — Facility Design—Renovation and Retrofitting   
B10  B10 — Backhaul in the Twenty-First Century   
B11  B11 — Lip Sync Issue   
B13  B13 — Improving the Streaming Audience Experience   
B14  B14 — Considerations for Facility Design   
B15  B15 — New Initiatives in Digital Audio Playback and Automation for Radio   
B16  B16 — Media File Management: Storage, Backup, and Retrieval of Your Assets   
B2   B2 — Listener Fatigue and Retention   
B3   B3 — Streaming with HTML5   
B4   B4 — Audio Processing for Radio   
B5   B5 — Streaming & Encoding   
B6   B6 — Television Loudness and Metadata   
B7   B7 — Audio Engineering Supporting People with Disabilities: A Workshop   
B9   B9 — Sound Effects of the Witches of Lublin   
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Engineering Briefs

EB1  Session EB1 Recording/Production   
EB3  Session EB3 Applications of Audio Engineering   
EB5  Session EB5 Perception   
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Game Audio Events

G1   Session G1 Emerging Trends in Audio for Games   
G11  Session G11 Using Speech Recognition for Games   
G12  Session G12 Education: Prerequisites for a Career in Game Audio   
G13  Session G13 Careers in Game Audio   
G2   Session G2 Audio Shorts: Tools   
G3   Session G3 Game Audio Secrets: Everything You Always Wanted to Know about Game Audio but Were Afraid to Ask   
G4   Session G4 Realistic Interactive Reverb Processing for Games   
G5   Session G5 Techniques in Field Recording   
G6   Session G6 Audio as a Real-Time Input and Feedback Mechanism for Full Body Gaming   
G7   Session G7 Emerging Market: Processing Plug-in's for Games   
G8   Session G8 History of Audio Implementation Toolsets   
G9   Session G9 Game Audio Programming for Android: FMOD vs Java   
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Historical Events

HE1  Leopold Stokowski and the History of Analog Recording   
HE2  A Tribute to Walter Sear   
HE3  American Classical Recording—From 1 Microphone to 24 Tracks   
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Live Sound Seminars

LS1  Session LS1 DSP Algorithms   
LS10  Session LS10 Robert Scovil Interviews Dave Natale   
LS11  Session LS11 TVBDs and Geo-Location Databases: An In-Depth Look and Their Impact on Wireless Microphone Usage   
LS12  Session LS12 Continuing Advancements in Green Technology for Pro Audio and Concert Sound Touring   
LS13  Session LS13 Multitrack Recording for the Live Sound Engineer   
LS2  Session LS2 Coordination and Band Planning of License Free RF Spectrum for Events and Installations   
LS3  Session LS3 Data Networks as a Digital Audio Transport Mechanism   
LS4  Session LS4 AC Power and Grounding   
LS5  Session LS5 10 Things to Get Right   
LS6  Session LS6 Theatrical Microphone Dressing   
LS7  Session LS7 Subwoofer Arrays and Beam Steering   
LS8  Session LS8 Things I Learned on the Broadway Ladder: Lessons for Every Audio Career   
LS9  Session LS9 Production Wireless Systems Practical Applications and Practices   
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Master Class Sessions

MC1  Session MC1 The Fine Line between Voicing and Design   
MC2  Session MC2 Human Hearing 101—How it Works (The Short Version)   
MC3  Session MC3 The Hybrid Edit/Mix Approach to Feature Film Sound   
MC4  Session MC4 Superstar Sessions   
W10  Session W10 What Every Sound Engineer Should Know about the Voice   
W11  Session W11 Max for Live: A Discussion of Community-Driven Software Development and its Relevance in Today's Creative Landscape   
W13  Session W13 Authentication of Forensic Audio—Then and Now   
W14  Session W14 Loudness Wars: The Tides Have Changed   
W15  Session W15 Mastering In An Ever Expanding Universe 2011   
W16  Session W16 Recording Surround Sound Music   
W17  Session W17 Low-Delay Audio Coding for High-Quality Communication   
W18  Session W18 Panning for Multichannel Loudspeaker Systems   
W19  Session W19 Listen Professionally or Train Your Ear!   
W2   Session W2 Capturing Height in Surround   
W3   Session W3 Got Metadata? Historical, Cultural, and Future Issues of Information Association for Archiving Audio Materials   
W4   Session W4 Sound Quality Evaluation   
W5   Session W5 Producing Across Generations: New Challenges, New Solutions—Making Records for Next to Nothing in the 21st Century   
W6   Session W6 Pound of Cure or Ounce of Prevention? Audio Asset Restoration, Migration, and Preservation   
W7   Session W7 Highly-Directional Microphones for Sound Recording   
W8   Session W8 The Mobile Generation of Music Creation and Production   
W9   Session W9 Neodymium; Coping With The Consequences of Supply and Demand Elasticity   
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Paper Sessions

P1   Session P1 Room Acoustics   
P10  Session P10 Transducers and Audio Equipment   
P12  Session P12 Loudspeaker Reproduction   
P13  Session P13 Low Bit-Rate Coding—Part 1   
P15  Session P15 Sound Field Analysis and Reproduction—Part 2   
P16  Session P16 Low Bit-Rate Coding—Part 2   
P18  Session P18 Headphone Playback   
P2   Session P2 Recording and Sound Production   
P20  Session P20 Audio Processing—Part 2   
P22  Session P22 Listening Tests   
P25  Session P25 Auditory Perception   
P4   Session P4 Loudspeakers   
P5   Session P5 Audio Processing—Part 1   
P7   Session P7 Sound Field Analysis and Reproduction—Part 1   
P8   Session P8 Loudness Measurement and Perception   
P9   Session P9 Applications in Audio   
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Product Design Sessions

PD1  Session PD1 The Quietest Link—Better Noise and CMRR at Low Cost in Balanced Connections   
PD10  Session PD10 An Overview of Audio System Grounding and Interfacing   
PD11  Session PD11 Networked Audio Gizmos—Ethernet Audio Today and Tomorrow   
PD2  Session PD2 Is Your Equipment Design a Noise Problem Waiting to Happen?   
PD3  Session PD3 High Resolution Audio—A Networked Future?   
PD4  Session PD4 Real-Time Audio Processing Capabilities of Microcontrollers and Application Processors   
PD6  Session PD6 Design of a Dynamic Range Compressor   
PD7  Session PD7 Building Analog in the 2010s   
PD8  Session PD8 Hot and Nonlinear—Loudspeakers at High Amplitudes   
PD9  Session PD9 Specifying Class D Solutions   
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Special Events

SE1  Opening Ceremonies   
SE10  Platinum Engineers   
SE12  Legends of Nashville Sound   
SE14  Bohemian: A conversation with Judy Collins   
SE15  Lunchtime Keynote: Jane Ira Bloomo   
SE2  Phil Ramone/Tony Bennett   
SE3  Yesterday, Today, and Forever: The Art and Science Behind the Motown and Verve Catalog Reissues   
SE4  Platinum Producers   
SE5  Ben Folds   
SE6  Platinum Mastering   
SE7  Heyser Lecture   
SE8  Grateful Dead Europe 72   
SE9  SPARS: Lessons from Savvy Owners   
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Student and Career Development Events

SC1  Education Forum Panel   
SC2  The $5.1 Loudspeaker—Sound from a Shoebox   
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Tutorials

T1   Session T1 Delay FX—Wait for It   
T10  Session T10 Library of Congress Collections & National Jukebox   
T11  Session T11 Technology and Practice of Disk Mastering for Vinyl Products   
T12  Session T12 The Basics of Archival Preservation   
T13  Session T13 Telephonometry: The Practical Acoustics of Handsets, Headsets, and Mobile Devices   
T14  Session T14 Untangling the Comb Filter   
T15  Session T15 All for a Good Cause   
T16  Session T16 Drum and Percussion Programming   
T17  Session T17 Mastering for Vinyl   
T18  Session T18 Audio Metadata: Understanding AES57 and AES60   
T2   Session T2 Ear Training for Mastering Engineers   
T3   Session T3 After Market Power Cords—"Snake Oil" or Legitimate Audio Accessory?   
T4   Session T4 MP3 Can Sound Good   
T5   Session T5 Acoustics for Sound Reinforcement   
T6   Session T6 Ear Training for the Aspiring Audio Professional   
T7   Session T7 Fundamentals of Audio and Data Networks over Fiber Optics and Cat5 Cabling   
T8   Session T8 Demystifying Audio Sound Control Protocols   
T9   Session T9 Noise on the Brain—Hearing Damage on the Other Side   
TL1  Lunchtime Keynote: Karlheinz Brandenburg   
TL2  Hot Lunch: Microphone Controller for Vocal FX   
TL3  Hot Lunch: Demystifying Fiber Optics for Audio   
TL4  Lunchtime Keynote: Skip Pizzi   
TL5  Hot Lunch: Acoustic & Audio Apps   
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